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house is a body, body is a home

Hošek Contemporary Gallery, Berlin

May 22-31, 2026

house is a body, body is a home is a transdisciplinary exhibition of sculpture, film, performance, sound, and a publication that situates itself inside processes of decay. Emerging from encounters with abandoned houses in rural Japan, the works gather ash, clay, discarded objects, and the human body into quiet constellations that hospice erosion.

Here, decomposition and weathering are co-authors.

Matter listens, remembers, and becomes otherwise.

May 22-31

Artists: Helen Hines & Natascha Schoenaich
With sound contributions and performances by Vicente Yáñez, Damián Noguera, and Maria Ferrer
In collaboration with the Living Somatic residency, founded by Mikis Tapaswi

Hošek Contemporary Gallery
Open daily 14:00 - 20:00

Opening Vernissage: Friday, May 22, 18:00-22:00 pm with lives performance at 19:00 by Maria Ferrer with Damián Noguera, followed by Vicente Yáñez

Artist talk: Wednesday, May 27, 19:00
Helen Hines & Natascha Schoenaich,
with Michele Reilly & Brandon Labelle

Closing Finissage: May 31, 14:00-18:00 with a live performance at 16:00 by Maria Ferrer

house is a body, body is a home opens May 22, 2026, at Hošek Contemporary Gallery, Berlin. The exhibition brings together artists Helen Hines and Natascha Schoenaich in collaboration with Maria Ferrer, Vicente Yáñez, and Damián Noguera. Through film, photography, sculpture, sound, and performance, the exhibition explores memory, decay, and more-than-human relations as shared ecological processes. The nine-day program includes live performances, and an artist talk.

The collaboration between Hines and Schoenaich began with shared visits to the mountains of Kumano, Japan, where encounters with abandoned houses (akiya), neighbors, and the landscape sparked an artistic inquiry into home, loss, and material transformation. Their joint publication Listening to Houses accompanies the exhibition, weaving film stills with texts that situate the work within new materialist and eco-somatic thought.

Visitors encounter sculptural assemblages made from ash, dust, clay, paper, textiles, and everyday objects — materials that ferment, decay, and become otherwise. Hines presents a series of films, alongside sculptural reliquaries. Schoenaich contributes photographs and textile works. A sound installation by Yáñez and Hines transmits live wind data from Japan, collapsing distance into shared elemental exchange. Ferrer, Noguera, and Yáñez activate the space through performances at the opening and closing events.

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Reliquaries